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'Take The Long Way Home' by Supertramp
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https://youtu.be/LPRrHyXchEY
Sometimes the best creations come at the eleventh hour. Such was the case with "Take the Long Way Home," a song that almost didn't make it onto Supertramp's masterpiece album Breakfast in America.
Written during the final stages of a grueling nine-month recording session in 1979, this last-minute addition would become one of the band's most enduring hits and a profound meditation on the search for personal identity.
The song's genesis came from Roger Hodgson, Supertramp's vocalist and creative force, who crafted a deceptively upbeat melody that masked its deeper existential themes. On the surface, it tells the story of a would-be Romeo, a man who deliberately takes detours on his way home to avoid facing the reality of his ordinary life. His wife treats him "like part of the furniture," while he dreams of being something more – a stark contrast captured in the lyric "When he's up on the stage, it's so unbelievable, unforgettable, how they adore him."
The musical arrangement perfectly mirrors this duality. John Helliwell's warm clarinet and Rick Davies' playful harmonica dance over a bouncy piano line, creating what Billboard magazine described as a "convincing melody with a crafty hook." This cheerful instrumentation stands in stark contrast to the song's underlying message about identity crisis and unfulfilled dreams.
But beneath its story of suburban discontent lies an even deeper meaning. As Hodgson later explained, "Take the Long Way Home" is really a metaphor for the universal journey of self-discovery. The "long way home" isn't just about avoiding one's house – it's about the winding path we all take to find our true selves, our spiritual home within our hearts.
The song's commercial success matched its artistic achievement, reaching #10 on the U.S. Billboard Hot 100 and climbing to #4 in Canada. Its resonance with audiences was so powerful that when Greyhound bus company offered the band $5 million to use the song in their commercials – a fortune in 1979 – Supertramp declined, preserving the song's artistic integrity.
The recording itself is a masterclass in collaborative musicianship. Hodgson's distinctive vocals soar over his own acoustic piano and electric guitar work, while Rick Davies adds layers of Hammond organ and synthesizers. The rhythm section of Dougie Thomson (bass) and Bob Siebenberg (drums) provides the song's infectious groove, while John Helliwell's clarinet adds sophisticated jazz touches that would become a Supertramp trademark.
Time has been kind to "Take the Long Way Home." In 2006, readers of Mojo magazine voted it their #5 favorite song, and critics continue to rank it among Supertramp's finest achievements. Hodgson himself counts it among his top 10 compositions, and its themes of self-discovery and the contrast between dreams and reality remain as relevant today as they were in 1979.
The song's enduring appeal has inspired numerous cover versions, from hard rock band Trixter's 1994 interpretation to alternative rockers Lazlo Bane's 2007 rendition. Hodgson celebrated its legacy by naming his debut solo DVD Take the Long Way Home, Live in Montreal, which went platinum in Canada and achieved gold status in France.
Perhaps the song's lasting resonance lies in its universal message: that the journey to find oneself is rarely direct, and that's exactly as it should be. As the lyrics suggest, "Does it feel that your life's become a catastrophe? Oh, it has to be for you to grow, boy." Sometimes, taking the long way home isn't just an escape – it's the only way to finally arrive at where we're meant to be.
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